Showing posts with label christian bale. Show all posts
Showing posts with label christian bale. Show all posts

Sunday, 22 July 2012

REVIEW: The Dark Knight Rises

The last of the trilogy is upon us, people are dying to see it, literally, so is it worth it?


No matter what people say, for me The Dark Knight was an incredible film and one of my favourite movies of all time, so it is very hard to think of another Batman film that could trump it. Unfortunately, I don't think this is it.

Don't get me wrong, it's a great movie. The action is great, it's sheer scale and spectacle is incredible but it falls short on a lot of things. Lets begin with the plot, we begin eight years after the Joker and Wayne is a little worse for wear let's say. It's a time of peace and Harvey Dent is still seen as a hero with Batman as the villain, however we are told 'a storm is coming' and Bane brings with him a chaos that puts Gotham in a lot of jeopardy.

Before going any further, I think it's worth mentioning that if you look at the evolution from Batman Begins to the Dark Knight, the leap is rather more significant than you would have first thought. It's worth revisiting both these films if you haven't done so recently, watching Rises, I felt Nolan had tied himself down with having to conclude the story the same as Begins is preoccupied with having to be an 'origins' tale at heart. With Dark Knight, I felt Nolan was able to relax in having established Batman and could have some fun with him and in the Gotham world - something I did not feel in Rises. In fact, I didn't feel Gotham was a character at all.

Of course, the entire Batman saga is not just about the idea of self-sacrifice (the 'symbol'), but also a man conquering his inner demons. Rises deals with this, but not in the same subtle way as Dark Knight. Instead it takes the whole 'humanity is corrupt' nature and exploits it, almost going completely against what the Batman saga has built up so far. When the city is plunged in chaos, I don't get a feel for what is actually going on apart from a few sweeping shots. Where is everyone? What exactly is going on? Why doesn't anyone do anything? I felt cheated and the city in anarchy isn't represented very well at all. It just looks like a few people dithering about every now and then. Even the people trapped don't seem too hard up. In fact it just looks, empty, and I don't know what blowing a lot of stuff up really did as well, apart from ease access to and from the city. Apart from for Wayne of course.

The new flying vehicle the Bat also makes matters worse. The toys that he has played with before in the previous films made some kind of sense in that this could happen in our real world, however the Bat feels a little too sci-fi for me. Also, everything I disliked about Batman Begins comes back up - the League of Shadows, terrorism through the economy (hinted at by Liam Neeson in the Begins), the sense of 'training' (do I have to see him in the middle east again? Even if he seems to be ... oh ... right by a city?) and by introducing characters that I don't want to work at getting to know by a third film. Where Dark Knight had every scene being needed, moving the story forward, being full of action, not a line of dialogue wasted - there were times in Rises where I felt it could have been cut completely, or some parts expanded upon. It wasn't as tight as Dark Knight was in the slightest and not near as interesting or action packed. There's also a bit of humour which was scarce in Dark Knight but feels like the jokes that were on the cutting room floor of Begins - why are we putting jokes in? To alleviate the tension? I like the tension, it's what I enjoy.

So, let's move onto characters. Bale shines again as Batman, going from skinny hermit to the bulky mass he was before but he has lost his enthusiasm. There's not been any real reason for this except for what happened to Rachel, he's made no attempt to clear his name and to be honest, I thought there was very little actual Batman time, he doesn't turn up for a while for a start. However, his journey as a character does conclude nicely and I think with something that befits what Wayne was truly about.

Moving on from this is it gets worse. Even Alfred becomes nothing but a nuisance, and with a script that has some pretty poor dialogue, Alfred definitely gets the brunt of it. Catwoman is boring and tries to be femme fatale but completely falls flat. She talks of her stealing to get by when she couldn't look more posh and well groomed. Her story is just boring, Anne Hathaway not being sexy at all and neither giving much away in terms of depth. All we know is that she's supposed to have a bit of a heart, however when her and Batman are standing together I can't help but feel that I'm definitely watching a comic book movie, something I really wish I wasn't thinking.

Then there's Blake, Gordon-Levitt's cop, who if you ask me, apart from one reason, should have been cut out altogether. These little B stories are nothing compared to Dent's, who actually had an impact on the main narrative. Blake just feels like he's something to keep our attention going while other things are going on. Levitt does a good job but every time he came on screen I was just waiting for the next scene. Same goes with Cotillard's Miranda Tate as, apart from near the end, she's completely disposable.

So let's move onto Bane. Firstly, they have cranked up the volume of his mask from the IMAX preview, which is great but then completely jars with the film as it's not mixed into the scene, so no matter what, it sounds like he's standing right next to you shouting in your ear. Bane is the antithesis of Batman, it's his alter ego, his own personal devil. Batman states that he wears a mask for other people, Bane's mask is for himself, but they don't really go into what the mask is actually for. Why is he living in a sewer like the Turtles? Surely the whole point of League of Shadows was that people are inherently evil and Gotham inparticular. Well if Gotham has no crime, why are the League even bothering? If it is because Bane is a madman, then it still makes no sense as he doesn't have any real motive, not even when we find out about his backstory are we still given an absolute clear motive, and it's also very, very creepy. How old is he supposed to be then? It's all very strange.

There is also the fact that all you can see is his eyes, there's only so much eye acting someone can do, even Tom Hardy, and because of his size I was just thinking it was Bronson back again. His talking like a posh English lord is also offputting, why does everything sound so strange that he says? There is also the argument that he has thought up this amazing plan to plunge Gotham into chaos but in no way is this anything like the intricacy of Joker's plans. That's what made Joker so interesting, he thrived on chaos when in fact the whole progression of events were planned with ingenuity. Bane just doesn't cut it - he's not scary, neither twisted and is just a big macho strongman who speaks posh in a Darth vader toy mask. Neither does he make Batman question himself like Joker did, Joker was from nowhere - he was almost an apparition sent to test Batman and it became a personal rivalry. You went away from Dark Knight thinking that if Joker had failed everything, that if he had made Batman doubt his own integrity it would have been worth it. Not the same for Bane. His weird leadership of Gotham for it being to pure anarchy just feels a bit ... stupid dare I say. Why is he so intent on it? I just didn't get it. Joker also truly tested the people of Gotham, all the anarchy and chaos that happened was almost the result of being self-inflicted or taking advantage of people's horrid nature. Rises just doesn't have that depth.

Where Dark Knight was dark in nature, Rises feels like it's been forced to try and be dark, to be completely hopeless and in despair so the 'rising' can be more dramatic - and it is dramatic. You can't help but root for Batman throughout but I really did feel that this last appearance was let down. It was a step backward rather than a step forward and it makes me wonder if they might have used Heath Ledger again had he been alive, would we have had a different film? Perhaps. The film was way too long and takes place over an extremely long period of time where you can't help but think it's all a bit stupid, baring in mind Dark Knight takes place over a matter of days.

I really wish I could sit here and say this film was incredible because a lot of people are. But it's not. It's good but where Dark Knight was perfection, Rises has too much to live up to and loses its way (but it's better than Begins I'd say). It doesn't continue even in the same vein, it's almost as if (apart from Dent/Rachel) it's completely forgotten what happened in the previous film. I really do wish that Nolan hadn't said just three, he could have really explored the world and characters a little longer. I mean, hell, it's been going on for decades in the comics. Not enough action, too much talking, not a great script, ties up ends from first film but loses a lot along the way. Good effort, but next time try harder. Oh wait ....

Rating: 7/10

Friday, 9 September 2011

NEWS: Josh Brolin As Oldboy

One of my all-time favourite films is about to get molested by Spike Lee as he gives Oldboy a going over. Oh and Josh Brolin's going to be in it.


Do you remember when Spike Lee used to make films about racial equality? Some that were a bit hard hitting? Maybe he feels with Obama President that everything is equal, but whatever it is, why is he doing Oldboy? Handled so carefully by one of my favourite directors Chan-Wook Park, it's hard to think that such an effortlessly perfect film should be put under the Hollywood gloss.

In any case, they are doing it and will ruin it for the millions of people that will see it, then see the original and say the original is better - but then these are the people who should just watch the original anyway.

In any case, Josh Brolin is going to be in it and I like him, so it can't be too bad, and Christian Bale is rumoured to be playing the rich, young man out for blood. Also it will apparently be closer to the original manga rather than the Korean film - which at least promises to be different. However because Roy Lee is producing it, after converting Infernal Affairs for The Departed, people are hoping it will be a high caliber. However, I thought The Departed was a shoddy interpretation of Infernal Affairs to be honest, so I'm not that bothered. Also, this was the film I took my girlfriend to see on our first date, almost 7 years to the day ... wow ....

Sunday, 30 January 2011

REVIEW: The Fighter

A double whammy for Aronofsky as he produces this David O Russell film based on a true story about Mickey 'Irish' Ward and his relationship with his brother Dickey. Is it the next Rocky? No, not really.


Coming out of The Fighter I was a bit unsure of what I felt. It's as if I should recognise this was a great film, but I just couldn't accept that it was. It's all there, downtrodden fighter, against-all-odds, the love interest, drugs, hope, despair but I couldn't help but think it was a mere shadow compared to sporting films in the past and the obvious link to The Wrestler, the reason why this was directed by O Russell rather than Aronofsky, makes it abundantly clear that it's just not top quality. It's a rather standard movie that has appeared at the right time to be considered for awards. A bit of a dirty shot as I doubt had it been released a while ago, it would have been considered.

Why is it not the big hit it's supposed to be? Well, the story is pretty mundane to be honest. Mickey is trying to be an accomplished boxer but living in the shadow of his drug-using, egotistical Dickey played by Bale as well as having an over-bearing mother and a gaggle of sisters. All the while he's dating strong-spirited Amy Adams and trying his best to train and yet not let everyone down at the same time. The real focus of the story here though is Bale and Mickey Ward is a strong, yet simple man who just wants to fight and really he's just too weak to stand up for himself. How ironic and something Oscar judges will probably cream themselves over. However, it's been done.

The acting here is pretty good but swings from cartoonish to overly-serious. Bale's Dickey is a force to be reckoned with and again Bale has completely taken over the role looking similar to his skin-and-bones Machinist persona. Dickey is clearly deluded into creating a legacy that is bigger than himself, and unfortunately so is his mother. It's some great acting but I felt at times it was a little too much, perhaps much like Dickey himself he becomes a caricature and it's slightly off-putting compared to the rather wooden Wahlberg. I honest to God cannot see why he is still being cast in anything, he has exactly the same look, the same tone, he might as well be reading off the page. There's no emotion behind his eyes and I might have liked him in some performances, but the role has to cater to Wahlberg, Wahlberg doesn't cater for the role. I'm no boxing expert, but I still felt Wahlberg was unconvincing as a boxer, he can hit a speedbag and do some combinations but it's not exactly Raging Bull. Instead Wahlberg looks like a stone as he boxes, it's so insular and looks amateurish, the fights themselves look extremely fake at times and even by filming with the same cameras used in the sport to give it that 'TV' effect, it still doesn't stand up to any real or Hollywood fights, it's even got shitty 'whump' sound effects.

Wahlberg might have predictably ruined the film, but Melissa Leo as their mother makes a great middle ground between Wahlberg's stone-cold serious 'acting' and Bale's OTT method performance. She shines through and Amy Adams struggles slightly in comparison. Adams does a decent enough job but really I felt she was more of a distraction rather than a help. The story is about strong females just as much, if not more so, than strong males and Adams isn't afraid of the horrible, gossiping sisters that crowd around the film like an ancient Greek chorus. However, I feel the role was a bit too much for her and as good as she was, I felt she didn't quite have the gravitas needed.

I enjoyed watching this, but I really felt that the directing wasn't O Russell at his best, it was too similar to The Wrestler's handicam approach and there was nothing about it I can look back on and think 'that was great' - even the fight scenes weren't exactly gripping. Bale chewed up the scene alongside Melissa Leo and left everyone else in their wake. Some people will probably just big it up because it's called The Fighter and it's about boxing and is very macho macho and that's enough to keep people excited, but in truth it's overrated already. Compared to True Grit that I have just watched, it's definitely not as good, and I didn't think that was amazing either. If The Fighter gets any Oscar nods for anyone other than Melissa Leo and perhaps Bale, then it's undeserved. It touches on important issues so lightly that they might as well have been left alone - there's nothing giving it any integrity apart from the fact that it's a true story and the most interesting stuff was the real footage, which makes me rather watch a real documentary on the fighters rather than see this film again.

Rating: 7/10

Tuesday, 18 January 2011

NEWS: BAFTAAAAAA

What a surprise. The King's Speech is taking over the BAFTA's - how very exciting (yawn) ...

God what a Wild Bore ... but here it is - the list! I've highlighted in RED who will win and in BLUE who I want to win - in case anyone is bothered. If it's both red, assume I also want them to win.

The list is pretty boring to be honest, so flip through and see if you agree. Let's hope the Oscars is a bit more inventive, or maybe it's just been a shit year for film?


Best supporting actress

AMY ADAMS – The Fighter

HELENA BONHAM CARTER – The King’s Speech

BARBARA HERSHEY – Black Swan

LESLEY MANVILLE – Another Year


MIRANDA RICHARDSON – Made in Dagenham



Best supporting actor


CHRISTIAN BALE – The Fighter


ANDREW GARFIELD – The Social Network


PETE POSTLETHWAITE – The Town (He's dead so he's got to get it!)

MARK RUFFALO – The Kids Are All Right


GEOFFREY RUSH – The King’s Speech



Best actress


ANNETTE BENING – The Kids Are All Right


JULIANNE MOORE – The Kids Are All Right

NATALIE PORTMAN – Black Swan


NOOMI RAPACE – The Girl with the Dragon Tattoo


HAILEE STEINFELD – True Grit


Best actor


JAVIER BARDEM – Biutiful


JEFF BRIDGES – True Grit


JESSE EISENBERG – The Social Network


COLIN FIRTH – The King’s Speech - I haven't seen Biutiful but I can't justify any of the others winning it


JAMES FRANCO – 127 Hours


Best animation


DESPICABLE ME – Chris Renaud, Pierre Coffin


HOW TO TRAIN YOUR DRAGON – Chris Sanders, Dean DeBlois

TOY STORY 3 – Lee Unkrich


Best film not in the English language

BIUTIFUL – Alejandro González Iñárritu, Jon Kilik, Fernando Bovaira

THE GIRL WITH THE DRAGON TATTOO – Søren Stærmose, Niels Arden Oplev


I AM LOVE – Luca Guadagnino, Francesco Melzi D’Eril, Marco Morabito, Massimiliano Violante

OF GODS AND MEN – Xavier Beauvois

THE SECRET IN THEIR EYES – Mariela Besuievsky, Juan José Campanella


Best adapted screenplay


127 HOURS – Danny Boyle, Simon Beaufoy

THE GIRL WITH THE DRAGON TATTOO – Rasmus Heisterberg, Nikolaj Arcel

THE SOCIAL NETWORK – Aaron Sorkin

TOY STORY 3 – Michael Arndt


TRUE GRIT – Joel Coen, Ethan Coen


Best original screenplay

BLACK SWAN – Mark Heyman, Andrés Heinz, John McLaughlin

THE FIGHTER – Scott Silver, Paul Tamasy, Eric Johnson

INCEPTION – Christopher Nolan

THE KIDS ARE ALL RIGHT – Lisa Cholodenko, Stuart Blumberg

THE KING’S SPEECH – David Seidler



Best director

127 HOURS – Danny Boyle


BLACK SWAN – Darren Aronofsky

INCEPTION – Christopher Nolan

THE KING’S SPEECH – Tom Hooper

THE SOCIAL NETWORK – David Fincher


Outstanding British debut


THE ARBOR – Director, Producer – Clio Barnard, Tracy O’Riordan

EXIT THROUGH THE GIFT SHOP – _Director, Producer – Banksy, Jaimie D’Cruz


FOUR LIONS – Director/Writer – Chris Morris

MONSTERS – Director/Writer – Gareth Edwards

SKELETONS – Director/Writer – Nick Whitfield


Best British film

127 HOURS – Danny Boyle, Simon Beaufoy, Christian Colson, John Smithson

ANOTHER YEAR – Mike Leigh, Georgina Lowe

FOUR LIONS – Chris Morris, Jesse Armstrong, Sam Bain, Mark Herbert, Derrin Schlesinger

THE KING’S SPEECH – Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin

MADE IN DAGENHAM – Nigel Cole, William Ivory, Elizabeth Karlsen, Stephen Woolley


Best film

BLACK SWAN – Mike Medavoy, Brian Oliver, Scott Franklin

INCEPTION – Emma Thomas, Christopher Nolan

THE KING’S SPEECH – Iain Canning, Emile Sherman, Gareth Unwin


THE SOCIAL NETWORK – Scott Rudin, Dana Brunetti, Michael De Luca, Céan Chaffin

TRUE GRIT – Scott Rudin, Ethan Coen, Joel Coen

Wednesday, 24 November 2010

Uncharted Movie News

It's official - Sony have cast Mark Wahlberg as Nathan Drake in a movie adaptation of the incredible PS3 Uncharted series.

As anyone knows, Wahlberg's perpetual worried look will make a lot of fans displeased. Look at his Max Payne game remake for instance. Nathan Fillion had expressed an interest in playing the role, which would have been a million times better but instead we're left to see an amazing game franchise get completely raped by a crap actor. Yes crap. Does anyone else agree? "Oh what about The Departed?" umm.. wasn't he just an angry the whole time? Isn't he just supposed to look angry all the time? I think it can be safely said that whatever films he does, he's not a bankable star by any means.

So what about the director? David O Russell will take the helm which is a surprise because he's done some very strange films and is known for well... not getting on with his cast. George Clooney smacked him about in Three Kings and there's that fight on YouTube he has with Lily Tomlin in I Heart Huckabees, and he's got The Fighter coming out with Wahlberg and Bale which might be a good impression of how much he can get out of Wahlberg's limited acting. Pesci and De Niro have even been rumoured to play Wahlberg's father and uncle - which will be strange. I'm just hoping it won't be another National Treasure ... I'd rather kill myself.