Did you like Daft Punk's Tron soundtrack? I certainly did. Well there's more to come!
If you click here then you will be taken to the official website where if you type "M83"onto the surface of the official website you can listen to some exclusive clips from the new Daft Punk soundtrack "TRON LEGACY R3CONFIGUR3D" which will be released on April 5th.
They've made it look all 8-Bit which all you graphic designers etc. will probably lap up and the track listing looks very impressive. The usual remix artists are there (Daft Punk favourites) M83, The Crystal Method, Moby and others like Paul Oakenfold, Kaskade, Com Truise, The Japanese Popstars and more.
If you preorder the deluxe package you'll get the album, TRON: Betrayal - a 128 page graphic novel and the Tron: legacy 5 disc 2 movie Blu-Ray collection featuring the film in hi-def 2D, hi-def 3D, DVD, a digital copy, the original film in hi-def and a collectable lithograph. You'll also get a digital copy of the album, a collector's digital EP featuring unreleased tracks and a glow in the dark film poster.
There are other packages available but if you like everything Tron, then you can't really go wrong!
Showing posts with label tron. Show all posts
Showing posts with label tron. Show all posts
Wednesday, 9 March 2011
Friday, 21 January 2011
NEWS: Neill Blomkamp's Elysium Given The Green light!
District 9's Neill Blomkamp Is Back With A Huge Sci-Fi Feature Set To Blow 2012 Apart!
Sharlto Copley, Jodie Foster and Matt Damon have signed on for Blomkamp's new venture "Elysium" with a $120 million budget with Columbia.
Blomkamp also announced Syd Mead will be working on the project, the production designer who worked on Tron, Aliens, Blade Runner and more, so hopefully this will be a great looking futuristic R rated Sci-Fi blockbuster to look forward to. Production begins in July in Vancouver. The studio have also agreed to make his own self-scripted Chappie once Elysium is finished, so more Blomkamp to look forward to! Who else liked District 9 enough to get excited about this? You never know, maybe he will return to the Halo feature at some point?
Sharlto Copley, Jodie Foster and Matt Damon have signed on for Blomkamp's new venture "Elysium" with a $120 million budget with Columbia.
Blomkamp also announced Syd Mead will be working on the project, the production designer who worked on Tron, Aliens, Blade Runner and more, so hopefully this will be a great looking futuristic R rated Sci-Fi blockbuster to look forward to. Production begins in July in Vancouver. The studio have also agreed to make his own self-scripted Chappie once Elysium is finished, so more Blomkamp to look forward to! Who else liked District 9 enough to get excited about this? You never know, maybe he will return to the Halo feature at some point?
Labels:
aliens,
blade runner,
chappie,
columbia,
district 9,
elysium,
halo reach,
jodie foster,
matt damon,
neill blomkamp,
sharlto copley,
syd mead,
tron
Saturday, 1 January 2011
True Grit
The Coen brothers return with their most successful movie ever - a remake of the John Wayne classic True Grit. Tipped for the Oscars, is this modern Western going to sweep up in 2011?
I'm going to be honest, I've never seen the original True Grit - all I know about it is that it was John Wayne's sole Oscar winning performance and his last. Jeff Bridges takes on the one eyed Rooster who is employed by a young girl to find her father's killer - it's a simple chase movie that we know the Coens can do well, but is it their best yet? To be honest, I don't think so.
There's nothing I like more than a good Western but I just couldn't get into this story that much, it's great don't get me wrong but I don't love it as much as I loved No Country For Old Men for instance. That's not to say the performances here aren't incredible, because they are, and I'm sure that there might be an Oscar nomination nod here. Bridges is perfect for the dissatisfied, nihilistic Marshall and his gravel-tinged voice is full of the spite that he has for criminals - he truly doesn't care about killing another man. This is in contrast to the rather conservative Texas Ranger Matt Damon who has been chasing this notorious criminal for a while and his journey crosses theirs more regularly than they might like. Brolin as Chaney is again a small but perfect performance but it is Steinfeld as young Mattie that really stands out. For such a young actress her bold, brave and startlingly convincing performance sometimes completely outshines the others and I would not be surprised if she is nominated, or perhaps might even win an Oscar this year.
Not only is it just the acting, but the writing is also remarkable and every character in this movie will make you love and yet hate them. The girl is clever, sweet-natured but yet bloodthirsty and often annoying, Brolin is clearly evil but naive and subservient, Damon is brave yet stubborn and Bridges is the classic anti-hero. The dialogue and pacing is perfect, keeping you on your toes one minute but then lets you embrace the exchanges around the campfire the next, all without losing interest. A big issue here was that there's a lot of grumbling, murmuring and often I couldn't understand what was being said, an issue I'm finding cropping up more and more often - either that or I'm getting older.
I guess there are some deeper themes here, some more apparent than others such as feminism, sexism, existentialism and generally the idea of killing a man. However, there is also the idea of following your dream, coming-of-age, family and it's all generally very macho. It was an enjoyable film and I highly recommend it, but I can't justify giving it top marks because I immediately forgot about it as soon as it was over. It might get the same score as Tron: Legacy, which people might see as blasphemous, but I really did enjoy it the same amount. Coen brothers are generally considered 'cool' and 'indie', but have they ever been truly indie? They are usually the first names people go to when they try to suggest they know something about film, the amount of times I hear 'I think the Coen brothers are amazing', I agree that they are amazing but people often gush over them way too much then they should - A Simple Man? Burn After Reading? They got rave reviews but I didn't think they were much cop. Shock!
Overall, this is a good film that I would enjoy watching again, but not unless I had to. Great performances and I'm sure the Oscars will love it but if you've seen the trailer, you've seen the film. I don't really care if it's got Coen's all over it, it's a great film but it's not amazing and I'm sure they will release something similar in a couple of years. Quantity doesn't mean quality.
Rating: 8/10
I'm going to be honest, I've never seen the original True Grit - all I know about it is that it was John Wayne's sole Oscar winning performance and his last. Jeff Bridges takes on the one eyed Rooster who is employed by a young girl to find her father's killer - it's a simple chase movie that we know the Coens can do well, but is it their best yet? To be honest, I don't think so.
There's nothing I like more than a good Western but I just couldn't get into this story that much, it's great don't get me wrong but I don't love it as much as I loved No Country For Old Men for instance. That's not to say the performances here aren't incredible, because they are, and I'm sure that there might be an Oscar nomination nod here. Bridges is perfect for the dissatisfied, nihilistic Marshall and his gravel-tinged voice is full of the spite that he has for criminals - he truly doesn't care about killing another man. This is in contrast to the rather conservative Texas Ranger Matt Damon who has been chasing this notorious criminal for a while and his journey crosses theirs more regularly than they might like. Brolin as Chaney is again a small but perfect performance but it is Steinfeld as young Mattie that really stands out. For such a young actress her bold, brave and startlingly convincing performance sometimes completely outshines the others and I would not be surprised if she is nominated, or perhaps might even win an Oscar this year.
Not only is it just the acting, but the writing is also remarkable and every character in this movie will make you love and yet hate them. The girl is clever, sweet-natured but yet bloodthirsty and often annoying, Brolin is clearly evil but naive and subservient, Damon is brave yet stubborn and Bridges is the classic anti-hero. The dialogue and pacing is perfect, keeping you on your toes one minute but then lets you embrace the exchanges around the campfire the next, all without losing interest. A big issue here was that there's a lot of grumbling, murmuring and often I couldn't understand what was being said, an issue I'm finding cropping up more and more often - either that or I'm getting older.
I guess there are some deeper themes here, some more apparent than others such as feminism, sexism, existentialism and generally the idea of killing a man. However, there is also the idea of following your dream, coming-of-age, family and it's all generally very macho. It was an enjoyable film and I highly recommend it, but I can't justify giving it top marks because I immediately forgot about it as soon as it was over. It might get the same score as Tron: Legacy, which people might see as blasphemous, but I really did enjoy it the same amount. Coen brothers are generally considered 'cool' and 'indie', but have they ever been truly indie? They are usually the first names people go to when they try to suggest they know something about film, the amount of times I hear 'I think the Coen brothers are amazing', I agree that they are amazing but people often gush over them way too much then they should - A Simple Man? Burn After Reading? They got rave reviews but I didn't think they were much cop. Shock!
Overall, this is a good film that I would enjoy watching again, but not unless I had to. Great performances and I'm sure the Oscars will love it but if you've seen the trailer, you've seen the film. I don't really care if it's got Coen's all over it, it's a great film but it's not amazing and I'm sure they will release something similar in a couple of years. Quantity doesn't mean quality.
Rating: 8/10
Labels:
burn after reading,
coen brothers,
jeff bridges,
john wayne,
josh brolin,
matt damon,
oscars,
rooster,
tron,
true grit,
western
Wednesday, 24 November 2010
South Park Season 14

I'm a huge fan of South Park and I think it's one of the most creative, original social commentaries of our time - all wrapped up in a cartoon format for adults. However, if you look how it's evolved year by year, then you'd see that it has probably peaked a few seasons back. Instead, South Park seems to take pride in being a last-minute story about current affairs or social trends or celebrity news stories. A Comedy Central advert even advertised it as a 'Which celebrity will they take the mick out of next?' thing - and I thought it missed the point. It seems they might be a little preoccupied with creating controversy than focusing on good jokes and so they end up with this mixed bag which is the 14th season.
There's one good thing that has happened to South Park since it's first episode back in the day and that's it's pace. It no longer hangs around or holds back with some lame joke, it completely runs riot and does what it wants trying to cram in as much as possible - which for a show like this works a lot better I feel. Though I could be wrong.
The first episode Sexual Healing is about sex addictions and mainly Tiger Woods, it once again relies on celebrity whacking and just doesn't contain enough jokes to make it a worthwhile watch, it's a pretty bad start for a season and one that shows that they wanted to come out with something that included a big name so people would be like 'no they diddddn't!!' . The Tale Of Scrotie McBoogerballs is a good Butters episode where the boys write a disgusting book and blame it on Butters. It's after the boys read Catcher In The Rye which is supposed to be all controversial and they don't find it the least bit offensive. I find that a lot of books which try to be controversial often try too hard and seeing as it's usually written by someone who stays in their room all day, it's hard to imagine they have any idea what they are talking about. People are literally sick all over the world and this prat-fall visual gag is a good one, but again it fails to inspire a rewatch.
Medicinal Fried Chicken is a better episode with some good Randy moments (perhaps my favourite character) and some good Cartman / Scarface storylines and I think, much like The Simpsons producers realised with Homer, South Park fans love anything to do with Randy rather than the kids. Stan and Kyle have turned into little whiny moaners, especially Kyle and no-one really cares about Kenny that much. Cartman however, goes from strength to strength and it's good that they try and spend as much time on him as possible as he is the real star - alongside Randy of course.
You Have 0 Friends is to do with Facebook and it being essentially a monster of it's own. The great thing is Stan going into a Tron world inside Facebook and Randy, of course, is completely in love with the idea of social networking. The funny bits are basically the bits with the loner kid and the idea of friends as a currency in the online world, but again, compared to earlier episodes such as the one with Faith + 1, Fingerbang or so on, it really doesn't stand up. The next up was a two parter about celebrities, and mainly Tom Cruise getting their own back on South Park, it was also about the sudden shock news of showing Mohammad. These episodes did create a bit of a frenzy in the Muslim world but really it's just more celeb bashing with celebs they've used already anyway. So nothing new really.
The last episode of the first half of the season (phew) was Crippled Summer and apart from the 'Mimseyyyy!' line and a shark raping a kid, it was pretty crap. Why they ended the first half on this I'll never know. When it came back months later with Poor and Stupid, a show about NASCAR, there was some funny Cartman and Butters moments - "that's gay" - but it was quite boring. It's a Jersey Thing takes a look at the sudden hype surrounding shows like Jersey Shore, Housewives of New Jersey etc. and has one of the most shocking endings I've seen on a South Park yet as the Taliban fly some American Airline jets in to save the day and Bin Laden is commended as a hero. I don't think I saw that one coming.
Insheeption was another favourite and caused some outrage by copying jokes from well known comedy site College Humour (as documented in this blog). The episode which has a look at Mr Mackey's past is hilarious and the young Mackey is the best thing I'd seen in South Park in this season. The next three episodes returns to Cartman's Dark Knight Coon superhero, except he now has Coon and Friends (a homage to old TV series Spiderman and Friends), it's the classic gang with a new member Mintberry Crunch and you find out who Mysterion, as well as the others, while they try to save the world from BP's mistakes - "sorry". This 3 parter started well but soon got quite boring and the very end was a big anti-climax - which is a shame because there were a couple of good moments.
The final episode Creme Fraiche is another good Randy episode as he seems to get aroused by cooking while his wife has a strange new exercise machine. Once again, there were a few good moments, including a great Gordon Ramsay impression by Cartman but it didn't save the series.
Overall, it might even be worse than season 13, and I didn't hold that in high regard either. It's a shame but I think South Park needs to take a look at itself and maybe start spending more time writing the shows because it seems they are running out of ideas. Fortunately, it's nowhere near dying as yet and I still enjoy watching it, it just isn't the same. I'd just rather it stop now than turn into the self-parody that is The Simpsons, a show that is absolutely terrible these days and treats it's audience like a 5 year old child.
It's still better than The Simpsons and I'd say it's better than Family Guy, which is hit and miss for completely different reasons, and definitely not as smart or original (minus the College Humour thing). What I love most is last week, the creators are being sued for Butters doing the 'What What in The Butt' song, probably the last great hope before the show finally started turning into what it is now.
Rating: 5/10
Labels:
BP,
butters,
cartman,
celebrity,
comedy central,
family guy,
fingerbang,
muslim,
review,
scarface,
season 14,
social trends,
south park,
the simpsons,
tron
Subscribe to:
Posts (Atom)