Warning: X-Files is bad for your mental and physical health.
I'm sure, like the rest of the world, everyone was aware of The X Files; a Twilight Zone, B-Movie, Monster-of-the-Week series that got people talking and was full of creative, horrifying and often scary ideas. However, even though more and more people got pulled in season after season, fans became irritated and soon lost interest leaving it to be cancelled after 9 successive years.
As a result, and due to my initial love for The X Files, I decided to go back and start from the very beginning and what a journey it was. Keep in mind, every season has about 24/25 episodes which last 45 mins, sometimes longer and that I've been watching it every spare minute since February until last week. If you've been wondering why there hasn't been many movie reviews, or many of anything on this site, it's because X Files has taken up all my time. I've almost killed myself doing it, constantly watching episode after episode until finally after what seems like a lifetime, it comes to an end. Well, apart from the subsequent films. So let me tell you what I thought.
If you speak to Joe Bloggs about X Files, more often than not he'll tell you that he liked the early seasons and then it all went a bit weird. This, to summarise, is pretty much what happened. When X Files had stand-alone weekly episodes, they worked best - obviously like any show, overarching narratives are what keep people hooked continuously, but it was these storylines, the big 'epic' conspiracies etc. that really killed it. It became the victim of it's own self-belief in a world where EVERYTHING is real. There's no doubting anything and the annoying thing is, after seeing so much, going through everything, Scully still refuses to accept some pretty obvious truths. New characters often glide in with cynicism, but this mix of 'real-world' and X Files world contradicts itself constantly and becomes rather infuriating. Not only this but the sagging middle seasons have very, very few episodes which are alright at best. They take the piss out of themselves way too much as well with parodies, self-aware jokes and nonsensical situations like being the stars of a Hollywood movie, going inside a computer game and more to add insult to injury. By the end of it all, you realise that the whole thing is a bloody joke and completely ridiculous. It's either serious or it isn't, the tonal mix is, at times, a welcome relief but soon wears thin.
However, there are some good points. Duchovny goes from enjoying the role of Mulder to mocking it to hating it and then just leaving, only to continue coming back in what you can clearly see is for just the money. Gillian Anderson however holds the whole thing together - in the face of sheer absurdity she brings a gravitas to it that only a real actress can accomplish. Everyone around her knows it's dumb, that X Files had it's day a long time ago, but still she gives every scene her all and doesn't think anything is beneath her.
In spite of this, there's so much I hated about X Files that it's hard to list. The dialogue is terrible, the storyline is ridiculous and full of holes, the acting can be abysmal and annoyingly, they even use past actors again as different roles. What X Files does best is come up with imaginative stories that are completely out-of-the-box, and when it does it right, it really comes through. It's a shame that looking back at 9 years worth of material, that the lows are so low and the highs so high, it's completely unpredictable.
The main surprise and real highlight for me was Robert Patrick as Agent Doggett. Once he enters he brings a real breath of fresh air to the series and is a brilliant counter-point to Scully, the too few episodes where it is just them two are some of my favourite epsiodes of the entire lot. His straight-talking Jersey boy attitude and downright manliness give the show a macho image that it was crucially lacking. A lot of the time Mulder moans, whines, and is annoyingly constantly correct, so that when he reappears with Doggett on the scene, you can't help but root for Patrick when you really feel the writers want you to side with Mulder. It's very well done and it's a shame that it could never take off properly with Robert Patrick being the main character. Part of this was because they tried to team him up with Monica Seles or whatever her name is, some 'pyschic' FBI agent that lacks both depth, charisma and talent - her crutch in life? Cigarettes. Jesus she's bland.
It's a real shame that X Files didn't continue but with a story so out-of-hand, characters bordering on the ridiculous, acting with a lot left to be desired and it's obsession with moving away from simple, one-off stories to big government conspiracies just confused the hell out of me. It's a perfect example of taking something simple and convoluting it to the point where it's no longer identifiable. The last episode, a final attempt to sum up what the hell had been happening was unfortunately too little too late, it had been surfing on it's initial success for too long and this episode shows how stupid the whole thing had become. I highly recommend The X Files, but instead of watching the whole thing, I'd talk to someone like myself and only watch particular episodes. It's not quantity, it's quality. I just wish someone could have told Chris Carter.
Also, why the hell he decided to do a spin-off on the most irritating people on The X Files, The Lone Gunmen, is beyond me.
Some terrible mistakes were made and the show paid the price. When it worked, it really worked. But in reality it was a broken monstrosity that wouldn't look out of place within it's own realm.
Someone give Robert Patrick a job please.
Rating: 6/10
Showing posts with label the x files. Show all posts
Showing posts with label the x files. Show all posts
Wednesday, 17 August 2011
Saturday, 19 March 2011
REVIEW: "Due Date" & The Bro-mance genre
For people who can't wait for The Hangover 2 - might as well catch Due Date ...
Firstly I must apologise for the lack of posts recently. The long and short of it is my commitment to my day job and also I am working my way through The X Files. 9 fucking years worth of X Files - and just so you know, I'm actually rediscovering how much I loved it in the first place! But anyway ... Due Date, first film I've watched in a rather shit last couple of months of films and something I've had lying about for a while.
I have a bit of a love/hate relationship with director Todd Phillips, I like where he comes from, I like his style but sometimes his immaturity proceeds his lack of skill. I know the guy did The Hangover which was good, perhaps not as good as all the praise it got, but it was good. After all, this was the first time a lot of people had seen Zach Galifianakis, that people had realised the subtle genius of Ed Helms and that Bradley Cooper was more than just a pretty face, so it was a good shout but after all Phillips is one of the masters of the Bro-mance, just as cliche as the chick flick is to girls.
Without sounding like a nob, which I know is hard for me to do, I had been banging on since the millennium started that the Bromance genre will take off and will even get as silly and soppy as chick flicks turned out to be. That the way men wouldn't want to go see silly rom-coms, women wouldn't want to see gross-out boy films and essentially the gross-out is leaving and being replaced by a core emotional centre of emasculated men left in a western society that makes them feel isolated and lacking identity. Essentially, these films, such as Todd Phillips films, are the equivalent of war films back in the day, a group of men striving to reach one goal whether it's like in Due Date where they are trying to reach a location, Starsky & Hutch where they are trying to solve a crime or The Hangover when they are trying to find a man (Saving Private Ryan perhaps?) but the comraderie that comes with it and how the experience brings them closer together is something key in bro-mance. After all, as it's suggested in Fight Club, we don't have any world wars to fight in, so we make our own.
The problem with Due Date is that it's clearly a progression from buddy flick to bro-mance and it's a clear indication of where the times are going in terms of the genre. Essentially, like a good rom-com, the two hate each other but become 'best friends' by the end and is an example of how it's starting to mirror the rom-com in so many ways. The problem with this film is that it's execution is rather lazy, like all Phillips' films they are about a sequence of rather random events that tie up together at the end and it leaves the viewer somewhat disorientated - it's punch at human emotion hits so hard without jabbing it throughout the film, that it leaves you feeling rather queasy when it drives it home. It feels fake, forced and rather ill fitting amongst the rest of the film. The key though is that it taps into people's hearts in a soft, unpatronising, quite innocent way that subconciously affects men of all ages. It's genius is in it's stupidity and never pretends to be more than it is.
As a film however, Due Date is rather flawed. The scenes ramble by and ZG plays his typical chubby, cuddly, clumsy self that he seems to do in every film - the mock-confident bravado that tries to cover up his underlying stupidity is both alluring and irritating making the perfect loveable scamp combination. Downey Junior (DJ from now on) falls right into place with his Tony Stark-esque persona that ends up having to babysit ZG as they try and go to California - DJ to be at his baby's birth and ZG to become an actor.
To be honest, the pairing up of these two doesn't look right on paper but worked quite well. DJ is perhaps rather above what was needed here but it's good for him to flex his muscles a bit more into other roles that clearly rely on character - however at times, he just felt a bit out of place and pretty much looked like how he does in Iron Man, which is hard to forget while you're watching. It's got a great ensemble which works (Danny McBride) and doesn't work (Jamie Foxx - this guy seriously got an Oscar?) and some bits I properly laughed out loud at but it felt somewhat soulless. ZG really brought the emotional depth which was surprising, but the love for his father and the delusions of grandeur he exhibits makes me rather pity him and I constantly felt sorry for him. It was a weird bag of emotions for something that is supposed to be a normal road movie, but it is easily quite forgettable. It felt confused and lacking something that could have made it great but overall, it was a nice departure from some bad comedy cannon fodder that's been released lately. This could have easily gone very wrong but instead it becomes a slight ray of sunshine breaking through a rather lame output of comedies as of late.
It's not something I'd say you have to see, but it's definitely worth checking out and makes a great Friday night viewing. It's not The Hangover, but then no-one expected it to be.
Rating: 6/10
Firstly I must apologise for the lack of posts recently. The long and short of it is my commitment to my day job and also I am working my way through The X Files. 9 fucking years worth of X Files - and just so you know, I'm actually rediscovering how much I loved it in the first place! But anyway ... Due Date, first film I've watched in a rather shit last couple of months of films and something I've had lying about for a while.
I have a bit of a love/hate relationship with director Todd Phillips, I like where he comes from, I like his style but sometimes his immaturity proceeds his lack of skill. I know the guy did The Hangover which was good, perhaps not as good as all the praise it got, but it was good. After all, this was the first time a lot of people had seen Zach Galifianakis, that people had realised the subtle genius of Ed Helms and that Bradley Cooper was more than just a pretty face, so it was a good shout but after all Phillips is one of the masters of the Bro-mance, just as cliche as the chick flick is to girls.
Without sounding like a nob, which I know is hard for me to do, I had been banging on since the millennium started that the Bromance genre will take off and will even get as silly and soppy as chick flicks turned out to be. That the way men wouldn't want to go see silly rom-coms, women wouldn't want to see gross-out boy films and essentially the gross-out is leaving and being replaced by a core emotional centre of emasculated men left in a western society that makes them feel isolated and lacking identity. Essentially, these films, such as Todd Phillips films, are the equivalent of war films back in the day, a group of men striving to reach one goal whether it's like in Due Date where they are trying to reach a location, Starsky & Hutch where they are trying to solve a crime or The Hangover when they are trying to find a man (Saving Private Ryan perhaps?) but the comraderie that comes with it and how the experience brings them closer together is something key in bro-mance. After all, as it's suggested in Fight Club, we don't have any world wars to fight in, so we make our own.
The problem with Due Date is that it's clearly a progression from buddy flick to bro-mance and it's a clear indication of where the times are going in terms of the genre. Essentially, like a good rom-com, the two hate each other but become 'best friends' by the end and is an example of how it's starting to mirror the rom-com in so many ways. The problem with this film is that it's execution is rather lazy, like all Phillips' films they are about a sequence of rather random events that tie up together at the end and it leaves the viewer somewhat disorientated - it's punch at human emotion hits so hard without jabbing it throughout the film, that it leaves you feeling rather queasy when it drives it home. It feels fake, forced and rather ill fitting amongst the rest of the film. The key though is that it taps into people's hearts in a soft, unpatronising, quite innocent way that subconciously affects men of all ages. It's genius is in it's stupidity and never pretends to be more than it is.
As a film however, Due Date is rather flawed. The scenes ramble by and ZG plays his typical chubby, cuddly, clumsy self that he seems to do in every film - the mock-confident bravado that tries to cover up his underlying stupidity is both alluring and irritating making the perfect loveable scamp combination. Downey Junior (DJ from now on) falls right into place with his Tony Stark-esque persona that ends up having to babysit ZG as they try and go to California - DJ to be at his baby's birth and ZG to become an actor.
To be honest, the pairing up of these two doesn't look right on paper but worked quite well. DJ is perhaps rather above what was needed here but it's good for him to flex his muscles a bit more into other roles that clearly rely on character - however at times, he just felt a bit out of place and pretty much looked like how he does in Iron Man, which is hard to forget while you're watching. It's got a great ensemble which works (Danny McBride) and doesn't work (Jamie Foxx - this guy seriously got an Oscar?) and some bits I properly laughed out loud at but it felt somewhat soulless. ZG really brought the emotional depth which was surprising, but the love for his father and the delusions of grandeur he exhibits makes me rather pity him and I constantly felt sorry for him. It was a weird bag of emotions for something that is supposed to be a normal road movie, but it is easily quite forgettable. It felt confused and lacking something that could have made it great but overall, it was a nice departure from some bad comedy cannon fodder that's been released lately. This could have easily gone very wrong but instead it becomes a slight ray of sunshine breaking through a rather lame output of comedies as of late.
It's not something I'd say you have to see, but it's definitely worth checking out and makes a great Friday night viewing. It's not The Hangover, but then no-one expected it to be.
Rating: 6/10
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